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MARK HOLLIS ¡ÊMusician¡Ë

Mark David Hollis (born 4 January 1955) is an English former musician and singer-songwriter.
He achieved commercial success in the 1980s as a singer with the synthpop/post-rock band Talk Talk, but retired from the music industry shortly after releasing his 1998 solo debut album.


In 1998, he released an eponymous solo debut album, Mark Hollis, and participated in occasional musical projects, including playing melodica and bass guitar on Anja Garbarek's 2001 album Smiling & Waving, as well as producing it.
He has now retired from the music industry.
He has stated about his decision to retire from performing, "I choose for my family.
Maybe others are capable of doing it, but I can't go on tour and be a good dad at the same time."
Despite Hollis's absence from the public eye, he (as well as Talk Talk) continue to be mentioned in the press, inside Britain and outside, often as an example of an artist who refused to sacrifice his artistic ambition to commercial success and as a yardstick for current artists.

In 2004, Hollis resurfaced briefly to receive a Broadcast Music Inc.
Award for having written "It's My Life".
His withdrawal from the public continues to fascinate music critics.
By the time his solo album was released Hollis had moved back from the countryside to London, to provide his two sons with a more cosmopolitan environment.

In 2012, a piece of specially commissioned music, entitled "ARB Section 1", was used in the television series Boss.




MARK HOLLIS - Mark Hollis

 


Tracking list;

1. The Colour of Spring (0:00) 
2. Watershed (3:52) 
3. Inside Looking Out (9:37) 
4. The Gift (15:59) 
5. A Life (1895 - 1915) (20:21) 
6. Westward Bound (28:31) 
7. The Daily Planet (32:50) 
8. A New Jerusalem (40:10) 



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JOHN COPE aka MARK HOLLIS - Piano 


 


 After working on Spirit of Eden and Laughing Stock, Phill Brown teamed up with Dave Allinson to produce 1998's AV 1, a stunning and subtile exercise in formless ambient tranquility. 
The album's message was obvious from the start, with a huge opening track of near-silence and 20 minutes of slow, single-note song evolution before it decided to throw out its first beat. 
"Piano", the most interesting track, featured Mark Hollis hidden under the B-side-inspired pseudonym John Cope and managed to be deliberate without being frustrating, unsettling but never futuristic, and an enduringly eerie achievement. 
 

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