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PRIMAL SCREAM - Echo Dek




 



Tracking list;
 

00:00 A1 Living Dub
05:34 A2 Duffed Up
08:44 A3 Revolutionary
14:04 A4 Ju-87
19:54 B1 First Name Unknown
24:56 B2 Vanishing Dub
29:48 B3 Last Train
36:10 B4 Wise Blood




Starting up with a pitched-controlled test tone that curves directly into snatches of synth arabesques, background wah-wah-ing and a slow drum drubbing is "Living Dub": all slow, supine and curling languidly all over place as the version partner of "Long Life."
"Duffed Up" may be a remix of "Get Duffy" and/or "Trainspotting"...or neither.
The opening harpsichord line is lightly reverbed and delicate, parting for the blaring, sampled rifferama of a fluid, near-tipsy horn section accurately placed over the slowly cracking, never swerving "Trainspotting" drum pattern that squares off and threads these two divergent sound elements together smarter than matching natural pearls on a strand.
"Revolutionary" (aka "Star") slips out from the ether quietly, retaining most of the horns as well as Augustus Pablo¡Çs melodica from the original and all of its gentle vibe.
"JU-87," the first of two re-mixes of "Stuka" on the album cuts in with a jungle of drums as dive-bombing as the original and the nightmare-shaped Nazi aircraft namesake as well.
Against a rhythmic sample and a continually rung queue prompting bell, chilling drums crack further and further away yet resound only louder and louder in a Grand Canyon-sized echo chamber.
A slowed voice sneaks in towards the end with lurking intent and the combination of it all over the brashly rendered drums and percussion is some of the most imbalanced and disoriented dub produced in the nineties.

"First Name Unknown" is a re-jigged "Kowalski" rendered with half the bass and far more beats than its original on "Vanishing Point."
An added synthesizer line buzzes and burrows through distant drum machines that thrash and hammer the background studio air flat as a cross-cutting of phased noise trajectories swipe by.
It¡Çs here that the rhythms become the harshest ones of the entire album but the layer of synthesizer phrasings, modulations and the whole kitchen sink of cut and paste noise works together to create a liberating abandonment to leave your reeling senses behind.
Lost fragments from ancient radio waves open up "Vanishing Dub," a version of the MK-ultra-detached-ness that is "Out Of The Void."
But "Vanishing Dub" is even more spaced out: framed as it is by damp, subterranean grooves and low, low electric piano chords that cast successive shadows upon shadows.
Several percussion rhythms resound in the back, accompanied by occasional deep bass thudding and booming.
Leftover shards of Bobby Gillespie¡Çs vocal intone through miles of cavernous echo, as though trying to grasp something just out of reach and the piece ends just before he can -- with a slowly melting icicle of a keyboard riffs that drips slower and slower -- until it just disappears like a dream.
"Last Train" is "Trainspotting" disinterred once more with a sonic overhaul as a flurry of percussion defines the background while its unmistakable drum track takes some time to warm up to begin its unchanging solid groove odyssey through a tunnel vision of flying dub, dark shapes and distant voices that unsuccessfully call for attention.
It runs on undeterred despite fragments of harmonica blatting, ringing telephones and threatening keyboard bass lines when a subtle electric piano line coming to the fore as a small, simple yet brave guiding light through the ever-darkening dub landscape of it all.
The second re-mix of "Stuka" returns as "Wise Blood" with a single, irrigating noise synth scrawled distortedly all over the beginning and into a cracking snare as a Prince Far I vocal sample expands further when dropped into the huge vat of echo always at the ready.
Aircraft FX swoop down amidst the dub clatter of echoed drums as that chillingly inhuman and repeatedly pressed queue bell is darkly reprised.
Fragments of the former track go flying by with extremely uncalled-for echo abuse that turns "Wise Blood" into a place where every sounds seems to be either delayed or decayed...and that includes the drums, leaving the double bass/distorted-synth signal as the only element to keep things on course. 



This must be a classic album, ever !



























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2016-02-25

 
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